Sarah Wegener new Professor for Singing at ZHDK
Sarah Wegener will be Professor for singing at the ZHDK as of autumn semester 2024.
“I’m really looking forward to my new role at ZHdK with incredibly great colleagues!”
“Über ihr Können ist nicht zu diskutieren. Wegener verfügt über einen tadellosen Stimmsitz, den ganzen Ambitus umfassende Farben, prächtiges Volumen, das auch bei höherer Lautstärke rund bleibt, und ein perfektes Legato.”
ABOUT
Sarah Wegener approaches every role with captivating intensity. She has enthralled listeners with the warmth and richness of her voice in performances such as Strauss’ Orchestral songs under Mariss Jansons and Vladimir Jurowski in Munich, London, and Hamburg, Strauss’ Four Last Songs under Daniel Harding, Mahler’s 8th Symphony under Kirill Petrenko, Vasily Petrenko, James Conlon, Eliahu Inbal, and Kent Nagano as well as in her War and Peace programme shaped around works by Handel and Purcell. Her “marvellously radiant voice, as powerful as it is rich in colour” (Frankfurter Allgemeine Zeitung) distinguishes her as a lieder singer of the highest order, as illustrated on her highly praised CDs Into the Deepest Sea and Zueignung.
Her remarkable versatility has ensured long-standing collaborations with her musical partners, including the conductors Kent Nagano, Emilio Pomàrico, Peter Rundel, Tõnu Kaljuste, Heinz Holliger, Sylvain Cambreling, and Frieder Bernius. Concerts and recitals have taken her to the Salzburg Festival, Schleswig-Holstein Musik Festival, Rheingau Music Festival, Festival de Lanaudière, Chigiana International Festival, and Handel Festival Halle, as well as the Suntory Hall Tokyo, Konzerthaus Berlin, Tonhalle Zürich, Vienna Konzerthaus, Concertgebouw Amsterdam, Philharmonie de Paris, Royal Albert Hall, and Royal Festival Hall London. She has sung leading roles at the Royal Opera House in London, Deutsche Oper Berlin, Wiener Festwochen, Theater Bonn, Staatstheater Saarbrücken, and Tongyeong Festival in South Korea.
Highly regarded as a performer of both classical and romantic repertoire as well as contemporary compositions, Sarah Wegener recently sang Schumanns Das Paradies und die Peri (Jérémie Rhorer, Le Cercle de l’Harmonie), Dvořak’s Stabat Mater (Philippe Herreweghe, Orchestre des Champs-Élysées, Collegium Vocale Gent), Penderecki’s St. Luke Passion (Orchestre symphonique de Montéal, Kent Nagano), Bernstein’s Kaddish (MDR-Sinfonieorchester, Dennis Russel Davies), as well as Schönberg’s Six Orchestral Songs in Saarbrücken. She has given the premiere of numerous works by Georg Friedrich Haas, including the opera Bluthaus. In 2021 she gave her debut as Freia in Wagner’s Rheingold in Cologne and Amsterdam.
In 2023/24 Sarah Wegener sings Sibelius with the Gewandhausorchester under Andris Nelsons, Heinz Holligers Dämmerlicht in Japan, as well as Beethoven’s Missa Solemnis in Madrid and Granada. Among her highlights of the season are a recital in Siena with a programme dedicated to Wagner and his Italian contemporaries, and Strauss’ Four Last Songs in Taipei. She will also give her role debut as Sieglinde in Wagner’s Walküre in concert performances in Prague, Cologne, Hamburg, Dresden, Amsterdam and Lucerne.
Sarah Wegener’s discography includes recordings of Boesmans’ Trakl Lieder, Korngold’s Die stumme Serenade, Mozart’s C minor Mass, Rossini’s Petite Messe solennelle, as well as works by György Kurtág, Elliott Carter, and by and with Heinz Holliger. At the OPUS Klassik 2019 she was nominated as Singer of the Year for Jörg Widmann’s work, Labyrinth III, in which the composer wrote the solo part for her. Her second Lied CD with Götz Payer, with focus on Richard Strauss, was again on the list of nominations at the OPUS Klassik 2022. A recording of songs arranged by B.A. Zimmermann with the WDR Symphony Orchestra has recently been released at WERGO and awarded the Choc de Classica, Diapason d’OR as well as the German Record Critics' Prize. In September 2023 Hans Werner Henze’s Oratory The Raft of the Medusa with the ORF Radio Symphony Orchestra under Cornelius Meister has been released.
Following her double bass studies, the British-German soprano studied singing with Prof. Jaeger-Böhm in Stuttgart and took part in masterclasses with Dame Gwyneth Jones and Renée Morloc.
“Wegener [proved that she is a very a fine ] Straussian, with a warm tone, and a telling yet understated way with words, which enabled her to suggest both the cool sensuality of ‘Freundliche Vision’, and the vulnerability of ‘Allerseelen’. […] She did wonderful things with ‘Morgen!’, where her voice hovered in dreamy contemplation over the unfolding violin melody.”
“There‘s a particular moment early on when one of the three soprano soloists has to float a high
note effortlessly above a chorus of praise to the Almighty. If it comes off, you know the
performance is likely to be good, and on this occasion it was truly wonderful - though honours for
that must be shared with soprano Sarah Wegener.”
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“Sarah Wegener [interpretiert] die sechs Strauss-Lieder so naturschön und mühelos, dass sie nach der Zugabe kaum von der Bühne gelassen wird. Mit warmem Timbre und rundem Ton erreicht sie einen schwebenden, zugleich flexiblen Ausdruck.”
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CONTACT
karsten witt musikmanagement
Kerstin Alt
ka@karstenwitt.com
+49 30 214 594-235
Victoria Montero
vm@karstenwitt.com
+49 30 214 594-237
contact Sarah directly: sarwegen@gmail.com
SCHIMMER PR
Bettina Schimmer
bettina.schimmer@schimmer-pr.de
+49-221-16879623
Julia Mauritz
julia.mauritz@schimmer-pr.de
+49-221-16879624